Friday, December 18, 2009

Fwd: Raw review @ Visual Art Source




> Recommendations. . . .
>
>
>
> Colby Claycomb, White Picket Fence, linoleum, plastic edging, at Root Division. RAW features mixed-media works that assert their materiality and overt identity as artifacts "made in an honest manner," according to curator/artist John K. Melvin. One of the ten artists, Barry Beach, writes of "constructing nature. . .from organic and synthetic forms, mixing and experimenting salvaged and new materials. . .not knowing exactly what will emerge," inspired by the hybrid areas "between city and country, urban and rural, nature and culture." Memorable works embodying this post-conceptual/DIY aesthetic stance (some of which incorporate the gallery's architectural elements) include: Colby Claycomb's "White Picket Fence," a wall relief composed of black linoleum shards arranged concentrically, like a fingerprint, from whose center erupts a floral spiral of coiled plastic faux-fence edging; Ruth Hodgins' "Sword in the Stone," a surrealist bat-and-ball sports (and testosterone?) parody; Brandon Truscotts's "Made by Memory," a recumbent baby doll wrapped by and suspended from strands of glossy brown audiotape; and Jesse Walton's "John Deere and the Last Frontier," a "construction detritus" installation symbolizing the industrial domestication of the wilderness. RAW anticipates, with humor and imagination, a coming era of higher-priced energy and "lowered expectations" (California's Zen governor Jerry Brown is back, after all); of creative re-purposing and applied bricolage (at Root Division, San Francisco, California).
> - Dewitt Cheng

Thanks for the memories.

Thursday, November 05, 2009

RAW Sculpture coming to Root Division!!

Dear Friends, Colleagues, and Art lovers,

I am pleased to announce that an art exhibition I have been working on for a year now, will be opening to the public this coming Saturday, November the 14th. The exhibition will feature a particular and unique range of material oriented sculptors from the Bay Area. If you are in town, please feel free to stop by. Details from the press release are included below.

Thanks for all your continued support,

Best,


John K Melvin
Visual Artist

http://raw-rootdivisionsf.blogspot.com
http://www.johnkmelvin.com/
http://johnkmelvin.blogspot.com/


--

ROOT DIVISION PRESENTS: Second Saturday November 2009

RAW
An exhibition of new Bay Area sculpture and installation

Curated by John K. Melvin

SAN FRANCISCO, CA – Root Division is proud to present our November Second Saturday event, an exhibition of new Bay Area sculpture and installation, guest-curated by local artist and curator John K. Melvin.

The work in RAW has a distinct materiality, and each of the artists is uniquely aware of its presence. Whether assembled from found objects or crafted from items not typically associated with fine art, the sculptures and installations featured in this show work to declaim the fundamental appeal of objectness.

Artists like Colby Claycomb, Brandon Truscott, and Sarah Willis evoke their own personal narratives by exploiting the built-in meaning of used materials. Others, like Barry Beach, John K. Melvin, and Kit Rosenberg take a more detached approach, boiling down a conceptual premise to its most essential material elements. But regardless of how each artist approaches their work, there is a shared enthusiasm to maintain the integrity of the chosen medium.

Details are on-line at http://raw-rootdivisionsf.blogspot.com

Artists:

Barry Beach
Colby Claycomb
Benjamin Echeverria
Sean Olson
Christophe Piallat
Kit Rosenberg*
Brandon Truscott
Jesse Walton
Sarah Willis

*Root Division Resident Artist

Opening Reception: Saturday, November 14th, 7-10 pm
Sliding Scale Suggested Donation: $2-$20
Exhibition Dates: November 11th-December 5th, 2009
Gallery Hours: Wednesdays- Saturdays, 2-6 pm (or by appointment)

ROOT DIVISION
3175 17th Street (at South Van Ness & Shotwell)
San Francisco, CA 94110
www.rootdivision.org
415.863.7668

ABOUT ROOT DIVISION:
Root Division is an arts and arts education non-profit located in the Mission District of San Francisco. Root Division's mission is to improve appreciation and access to the visual arts by connecting personal inspiration and community participation. We provide subsidized studio space to working artists in exchange for their service in creating shared learning opportunities for the community. Artists develop creatively and professionally by teaching art to underserved youth, leading adult education classes, and producing exhibitions that showcase local emerging artwork. By combining multiple opportunities for creative exchange, Root Division cultivates an artistic ecosystem that enriches life throughout the Bay Area.

Root Division is supported in part by grants from Grants for the Arts: SF Hotel Tax Fund, The San Francisco Foundation, and the Walter & Elise Haas Fund. The Second Saturday Exhibition Series is sponsored by the Phyllis C. Wattis Foundation, the San Francisco Arts Commission through a Cultural Equity Grant/Organizational Project Grant, and the Zellerbach Family Foundation.

Friday, October 30, 2009

Castles in the sky

Funny.  When I was maybe ten years old or so I remember drawing and thinking about freeways being converted into apartments and parks.  This beginning may explain the orgin behind my freeway project series.  As for castles in the sky it seems I wasn't the only one.  

"The Bay Line, a proposed retrofit of the Bay Bridge's eastern span with a park and housing, has become a sleeper hit in the blogosphere, and now even has its own website. The thought experiment was initially put together by Oakland's Rael San Fratello Architects and submitted as an entry to WPA 2.0, a public works design competition put on by a UCLA think tank. The idea: what if, after the eastern span gets replaced, we kept it around and used it for something instead of getting rid of it? And what if we, say, loaded it up with 7,000 homes? Thought-provoking! But the Bay Line didn't make the final cut at WPA 2.0, while another Rael San Fratello proposal did: the U.S./Mexico border project, which includes seesaws among its varying delights."

Thursday, October 29, 2009

Jon Carroll

"But I don't like social gatherings. I don't like all the people, I don't like the overlapping noise, and I don't like meeting new people because, you know, I already know more people than I can comfortably accommodate with minimum friendship requirements. I've lived in the same city for 30 years. I have a family; surely that's enough.  "

Read the whole article here:

http://mobile.sfgate.com/topic/3767-All%20Entertainment%20Headlines/articles/194189527

Friday, October 16, 2009

Wonderland on the News!!!

wonderland got covered today on the local ABC news!

follow the link below:

http://abclocal.go.com/kgo/video?id=7069365

Saturday, October 03, 2009

RAW is coming!!!!

FOR IMMEDIATE RELEASE: October 3, 2009
ROOT DIVISION PRESENTS: Second Saturday November 2009

RAW
An exhibition of new Bay Area sculpture and installation

Curated by John K. Melvin

SAN FRANCISCO, CA – Root Division is proud to present our November Second Saturday event, an exhibition of new Bay Area sculpture and installation, guest-curated by local artist and curator John K. Melvin.

The work in RAW has a distinct materiality, and each of the artists is uniquely aware of its presence. Whether assembled from found objects or crafted from items not typically associated with fine art, the sculptures and installations featured in this show work to declaim the fundamental appeal of objectness.


Artists like Colby Claycomb, Brandon Truscott, and Izumi Yokoyama evoke their own personal narratives by exploiting the built-in meaning of used materials. Others, like Barry Beach, John K. Melvin, and Kit Rosenberg take a more detached approach, boiling down a conceptual premise to its most essential material elements. But regardless of how each artist approaches their work, there is a shared enthusiasm to maintain the integrity of the chosen medium.

Details are on-line at http://raw-rootdivisionsf.blogspot.com

Artists:


Barry Beach
Colby Claycomb
Benjamin Echeverria



Sean Olson
Christophe Piallat
Kit Rosenberg*
Brandon Truscott


Jesse Walton
Sarah Willis
Izumi Yokoyama
*Root Division Resident Artist
Opening Reception: Saturday, November 14th, 7-10 pm
Sliding Scale Suggested Donation: $2-$20
Exhibition Dates: November 11th-December 5th, 2009
Gallery Hours: Wednesdays- Saturdays, 2-6 pm (or by appointment)

ROOT DIVISION
3175 17th Street (at South Van Ness & Shotwell)
San Francisco, CA 94110
www.rootdivision.org
415.863.7668

ABOUT ROOT DIVISION:
Root Division is an arts and arts education non-profit located in the Mission District of San Francisco. Root Division's mission is to improve appreciation and access to the visual arts by connecting personal inspiration and community participation. We provide subsidized studio space to working artists in exchange for their service in creating shared learning opportunities for the community. Artists develop creatively and professionally by teaching art to underserved youth, leading adult education classes, and producing exhibitions that showcase local emerging artwork. By combining multiple opportunities for creative exchange, Root Division cultivates an artistic ecosystem that enriches life throughout the Bay Area.

Root Division is supported in part by grants from Grants for the Arts: SF Hotel Tax Fund, The San Francisco Foundation, and the Walter & Elise Haas Fund. The Second Saturday Exhibition Series is sponsored by the Phyllis C. Wattis Foundation, the San Francisco Arts Commission through a Cultural Equity Grant/Organizational Project Grant, and the Zellerbach Family Foundation.

Friday, September 25, 2009

http://www.enjoy-surveillance.org/

Wednesday, September 23, 2009

New and improved website

Friendly promotion:

Fung Collaboratives has updated their website. Check it out below.
One of the many new additions is the FC Community page!

http://www.fungcollaboratives.org/

JKM
www.johnkmelvin.com

Monday, September 21, 2009

Genius

News from MacArthur:

"A papermaker dedicated to preserving traditional Western and Japanese techniques; a scientist developing theories of global climate change; and a journalist who helps uncover details of unsolved murders from the civil rights era are among the 24 recipients of the $500,000 "genius awards," to be announced on Tuesday by the John D. and Catherine T. MacArthur Foundation."

Read more here:

Saturday, September 19, 2009

Fwd: TONIGHT @ CLUB SIX :THE OTHER SIDE OF A SMILE

If you are in the city tonight check this out!!!

JKM


Subject: TONIGHT @ CLUB SIX :THE OTHER SIDE OF A SMILE



:THE OTHER SIDE OF A SMILE PRESENTS :
CHROMA FREAKS
@ CLUB 6

(60th 6th street between Market and Mission)

SEPTEMBER 19th
doors open at 10pm and the party goes until 2am

free give aways by MISHKA NYC

The nights line up features amazing works by:

Robert Burden
Sandra Garcia
Shaun Roberts
and design by MISHKA NYC

Musical Performances by:
ELLUL
THANK YOU JULIUS
Dj IMpekabl










Insert movie times and more without leaving Hotmail®. See how.

SFGate.com Mobile Edition


"The reason people aren't backing Obama on the public option, Moore said, is that "he's only going halfway with this public option. He needs to remove the private, profit-making insurance companies from the table."  

In his new film, Moore focuses on the investment house Goldman Sachs as a main beneficiary of capitalism's largesse. He notes that Treasury Secretary Timothy Geithner and senior White House economic adviser Lawrence Summers are proteges of Robert Rubin, longtime Goldman executive and President Bill Clinton's Treasury secretary.  

"The fact that Geithner and Summers are part of this administration makes everything that happens open to question and needs our vigilance," Moore said, "because, literally now, the foxes are guarding the henhouse."  "

-----


I suppose it takes fame to say what many of us already think.  

JKM 

Tuesday, September 15, 2009

Friday, September 11, 2009

Wonderland Dialogue via SFMOMA

some of the comments are quite interesting:

Ranu Mukherjee Says:

As part of one of the artist teams in Wonderland, I want to mention that this blog opens up an interesting and important conversation to a public, which has been going on within the various agencies involved with the project for some time, starting with the Tenderloin’s Community Benefit District who are its fiscal sponsors.

We are considering the terms of our engagement here constantly. My experience thus far has been anything but distanced and disengaged. We have been working and talking with many amazing people of all ages who live, work and/or go to school in the neighborhood. I would consider these to be sustainable affective relationships. Art is not a new presence in the Tenderloin by any stretch of the imagination and out of respect to those who have contributed their voices to this project, I hope that the questions raised here will not overshadow the ability of visitors to connect.

The opening for this show will be during the day and include a block party in Boedekker Park on Ellis Street. There will be a symposium the following day during which, hopefully this conversation can go live!"


read the original article here. I have more to say on this article but am deep in the midst of organizing other aspects of Wonderland. Hopefully soon I will post something more in depth.

Wednesday, September 02, 2009

Wonderland in the Gaurdian

FALL ARTS PREVIEW: 10 strong currents within Bay Area fall visual arts

...

5. "Wonderland" Lance Fung's curatorial idea to bring together 52 artists (43 from San Francisco and nine from other countries) for 10 site-specific projects in the Tenderloin has greater potential than any standard museum or gallery show. Oct. 17-Nov. 14, various sites, www.wonderlandshow.org

...

For those of you who know, this is a show that several artists including myself have been working on for a year.


Tuesday, September 01, 2009

Show at Catherine Clark

American Qur'an

http://cclarkgallery.blogspot.com/2009/08/press-sandow-birk-in-new-york-times.html

Was at the gallery installing Al Farrows work and check out the rest
of the show. Definitely worth a peak.

JKM
www.johnkmelvin.com

Hans Rosling: Let my dataset change your mindset

Check out this video on YouTube:

http://www.youtube.com/watch?v=KVhWqwnZ1eM

The previous post link didn't work. This was the subject.

JKM
Sent via iPhone
www.johnkmelvin.com

Sunday, August 30, 2009

Wednesday, August 26, 2009

Documentation

Finally getting around to this, its some documentation of a collaborative installation I did back in May 2009.

"In May 2009, Izumi Yokoyama and John K. Melvin were invited to participate in Stephanie Dodes "Everything or Nothing or Something" group exhibition at Ever Gold Gallery in San Francisco. Izumi and John collaborated on a room sized installation approximately 5' x 10' x 8'. Their installation was intended to take the viewer into an outer/inner space environment. Materials used were reflective mylar, yarn, plastic tubing, and flourescent lights."

check out the images here.

Tuesday, August 25, 2009

Vertical Zoo

A zoo in the United Kingdom has come up with a novel approach to locally sourcing some of its food for animals and dealing with the challenge of limited space: vertical farming. 

Read more here:


Friday, August 21, 2009

Thursday, August 13, 2009

And more arts commission

http://7x7.com/blogs/bigelow-report/culture-clash-sf-arts-commission

JKM
www.johnkmelvin.com

Arts in sf

News from the arts commission:

Three arts commissioners have submitted their letters of resignation. Dede Wilsey, Alexander Lloyd, and Jeannene Przyblyski, wife of Eric Jaye, who until last week was Newsom's longtime political adviser.

Wilsey is president of the board of the Fine Arts Museums, Lloyd is an avid art collector and Pryzblyski is an associate professor at the San Francisco Art Institute.

Wilsey's letter is short and sweet and gives no reason for her departure. Przyblyski's describes in great length her frustration with Supervisor Chris Daly's recent move to require far more financial disclosure of arts and film commissioners, moving from requiring disclosure only about income related to the arts or city business to all income.


Read the whole article here:

http://www.sfgate.com/cgi-bin/blogs/cityinsider/detail?entry_id=44661

Wednesday, August 12, 2009

Memories

I have been remembering this book from my childhood a lot recently.  I think it's relevance to today is incredibly apparent.  

"in the ruins of an amphitheatre just outside an unnamed Italian city lives Momo, a little girl of mysterious origin. She is remarkable in the neighbourhood because she has the extraordinary ability to listen — really listen. By simply being with people and listening to them, she can help them find answers to their problems, make up with each other, and think of fun games. The expression "go and see Momo!" has become synonymous withpanacea and Momo has become the friend of everyone, especially honest street-cleaner Beppo and poetic tour guide Guido (also known as "GiGi Thompson")."


The book is titled Momo by     Michael Ende


JKM 

Tuesday, August 11, 2009

idiocracy approaches

from the guardian

...

No sex please, we're British and we're lazier than ever

We can't be bothered to walk up a few flights of stairs, balk at the idea of running to catch a bus and would rather snooze than have sex with our partners, according to a report published today.

Despite a huge government push to encourage healthy living, Britons are lazier than ever, concludes the study conducted by Nuffield Health, a not for profit health organization.

One in six people would rather watch a TV programme they didn't like than leave the sofa to change the channel if their remote control was broken. A third (36%) of the 2,000 adults surveyed for the study said they would not run to catch a bus and more than half (59%) would not walk up two flights of stairs to reach their office, choosing instead to take the lift.

More than half of dog owners (52%) did not walk their dogs, and two-thirds (64%) of parents admit to always being too tired to play with their children.

The laziness epidemic appears to have spread to the bedroom, with almost three-quarters (73%) of couples saying they regularly do not have enough energy at the end of the day to have sex, with more than half (58%) blaming a lack of fitness.

...

Folks, if this isn't a true sign of idoicracy than i don't what is. Anyways, i gotta run, my tv show's on, i need another energy drink, and i just found a new game application for my iphone. LOL


big dig memories

a project in seattle reminds me of my days with the big dig in boston.

in the tunnel:



and above:

Sunday, August 09, 2009

FW: SFRT press release 8.7.09

A Friendly Promotion:



FOR IMMEDIATE RELEASE:

 


Friday August 7, 2009

Contact: Geoffrey Grier – Director, Crisis Intervention SF Recovery Theatre

415-643-6011  www.sfrecoverytheatre.org <http://mail.researchdatagroup.com/exchweb/bin/redir.asp?URL=http://www.sfrecoverytheatre.org/>


***Press Release***


                                                        SF Recovery Theatre Host Venue at the SF Theater Festival


San Francisco, CA – On July 29, 2009 SF Recovery Theatre hosted the Screening Room venue at the SF Theater Festival in Yerba Buena Gardens and brought the house down. The crew kicked off at 11:45 with a world premiere of Grier’s new work, “Jet, a portrait of a nicotine addict”, followed by The Lower Bottom Players, L.A. Recovery Theater, Colored Ink and Ayodele Nzinga. All outstanding in their individual performances. The audience was standing room only from 12 noon until closing at 4:30

 

Grier stated, “I want to take a moment to thank my friends actors that made this what is was, braved personal adversity and completed the circle by channeling and rekindling the Bay Area Black Theater experience.”

SF Recovery Theater has been invited to provide one of the instillations in the up and coming Wonderland exhibition by internationally known artist and curator, Lance Fung. The opening will take place October 17, 2009 in the Tenderloin, with performances to follow. More information is available by viewing - http://wonderlandshow.blogspot.com/ <http://mail.researchdatagroup.com/exchweb/bin/redir.asp?URL=http://wonderlandshow.blogspot.com/>

“San Francisco Recovery Theatre looks forward to providing the vital links in the cultural chain to reestablish the Black Arts scene in San Francisco. This critical mission is near and dear to our hearts and we would really encourage the community to be a part of this renassaince effort.”


Location: San Francisco Recovery Theatre, Scene from "The Spot" <http://mail.researchdatagroup.com/exchweb/bin/redir.asp?URL=http://www.youtube.com/watch?v=2VjwV78lpCc>  

Geoffrey Grier heads the Company and also host the Mr. Geoffrey’s Show, a local cable television show that focuses on the issues, concerns and events of the Tenderloin community. Grier feels that the theatre’s productions is the only safe place that people of different cultures, races and religious backgrounds can experience the lifestyle of another without feeling threatened.

While many people are still battling substance abuse, mental health, or housing problems, it becomes a formidable task for Recovery Theatre to assist those in need,  to transcend them to a healthier, progressively positive life.

 
               San Francisco Recovery Theatre is out to make a difference!

Story covered by TLTv Community Access News Service

 
 

 


------ End of Forwarded Message

Wonderland in the Press!



http://studycenter.org/test/cce/issues/92/ccx.92-cp3.pdf

A great article from a local paper focused on the tenderloin. A sign
of more to come!

http://studycenter.org/test/cce/index.html


Article in this months issue, page 3 & 8.

Friday, July 17, 2009

Article on Sac show at Jay Jay

"How could you resist a show titled "Fresh Young Things"? The young things in question are not baby green beans but artists fresh out of graduate school. As for "young," the term seems to be a bit elastic, since most of the participants are in the 30-something range."

Read more here:



Tuesday, July 14, 2009


yet another project i am working on...

if you happen to be on facebook, become a fan of Wonderland and you will be kept up to date on all our activities.

thanks to all.

Sunday, July 05, 2009

Tuesday, June 30, 2009

yes

Monday, June 22, 2009

Friendly Promotion - The Other Side of a Smile

Dear All,

I am sharing with you this flyer for an art event that a colleague has been working very hard at putting together.  Please if you have time, take a moment and stop by the show. June 26th @ OnSix Gallery (Club Six between Market and Mission on Sixth Street)...
Please join us for one great time!!! Doors open at 8 p.m and the good times go until 2 a.m

More info can be found online at http://theothersideofasmile.info

wishing you all the best,

John

www.johnkmelvin.com

Thursday, June 18, 2009

Sunday, June 14, 2009

Kite Lofted Photography

http://steel.ced.berkeley.edu/cris/kap/gallery/SBSS08/index.html

mostly south bay salt ponds, but let me say it again, kite lofted photography. really cool.

Saturday, June 13, 2009

Corn and Climate Change

I began a blog on tracking corn a couple years back within the context of a social and ecological actant. Since then, a lot of data has been coming out about the expected impacts of climate change. It has also come to pass, the effects of globalization, alternative fuels, and other contemporary commodities on food supply (corn shortage in Mexico, etc.). This article sent to be by a friend talks in depth on the affects on growing crops in a post climate change environment. In short, and not surprisingly, increases in global tempartures have an adverse effect on crop yields.

"So what are the prospects for climate change? Well, there's bad news and good news. The bad news first, illustrated in the figure below. The figure shows our key temperature measure: degree days above 29C during the growing season. The big drought years (and bad yield years) show prominently: 1934 and 1936, the worst on record, and 1983 and 1988, the worst years in more recent history (aside from the 1994 flood). I've drawn a line in blue showing what is projected to be typical during the last 30 years of the century under the "nice" warming scenario--an increase of about 104 Degree days above 29C. This is the projection if we sharply curb CO2 emissions in the near term. Under this predicted increase a typical year will be worse that the worst dust bowl years of 1934 and 1936. A second scenario is "business as usual" in which there are no efforts to curb emissions--an increase of 330. I can't draw a line for that scenario because it's off the chart. WAY off the chart. And this projection doesn't account for the recent acceleration of CO2 emissions from China[1, 2, 3]."

Read the whole article here.

Conservation Reality Check

"We Californians are really not very good conservationists - we're very good preservationists," Bill Libby, a professor emeritus of forestry at the University of California, told me. "Conservation means you use resources well and responsibly. Preservation means you are rich enough to set aside the things you want and buy them from someone else."

A very good article analyzing the function or definition of contemporary conservation. be prepared to wear a little egg on your face after reading it. read the entire article here.

Tuesday, June 09, 2009

pics of the show at Lobot

z-axis, images by Ross Campbell. enjoy.

Tuesday, May 26, 2009

French Express




if you're in the area...also, check out the gallery's website.

JD Beltran on SFGATE writes on Vernissage

"The Bay Area community is awash in MFA exhibitions at the moment, with those of the San Francisco Art Institute, Mills College, Stanford University, and the University of California, Berkeley all up at the moment. Hopefully I'll be able to get to all of them, as it's always fascinating to see what's coming out of the graduate programs, and how the work is responding to the current climate. Last Friday, I attended the opening reception for "Vernissage," the San Francisco Art Institute's MFA Exhibition, which is always a giddy madhouse. (The French term "Vernissage" comes from "varnishing day," the day before the opening of an art exhibition traditionally reserved for the artist to varnish the paintings.)"

Read the full article here.

Thursday, May 21, 2009

kinda hippy design...


but I really support the direction of design intent.

"Modeled after the wings of a dragonfly, this incredible urban farm concept for New York City’s Roosevelt Island intends to ease the problems of food mileage and shortage, and reconnect consumers with producers. Urban farming is a growing trend amongst savvy city dwellers today, but in a densely packed borough like Manhattan, growth must come vertically. Spanning 132 floors and 600 vertical meters, the Dragonfly can accommodate 28 different agricultural fields for the production of fruit, vegetables, grains, meat and dairy. A combination of solar and wind power make Belgian architect Vincent Callebaut’s Dragonfly concept %100 self sufficient."

read more here.

Update on Temescal

Barry Beach vs. John K. Melvin has been postponed.
There will be no exhibition at Temescal this Friday, 5/22.
Sorry for any inconveniences.
=========================
see work by Barry : : : see work by John
visit us on line : www.temescalcontemporary.org (please note the .org)
become a fan on FaceBook : Temescal Contemporary FaceBook Page
please respond via email with any questions.

Friday, May 08, 2009

Jay Jay Gallery ad in SacTown Magazine

this will be published in the June/July issue of SacTown Magazine, www.sactownmag.com

more details on this show to come soon!!! in the meantime, check out the gallery here : http://www.jayjayart.com/

Saturday, May 02, 2009

Last but not Least


and of course the culmination of my two year graduate school adventure, exhibiting with my friends and colleagues at:

MFA Vernissage, San Francisco Art Institute MFA Graduate Thesis Show, Herbst Pavillion at Fort Mason, Reception Friday, May 15, 2009 at 7:00pm

Exhibition runs from the 16th to the 23rd, open daily from 12-6pm

I think I will sleep the entire month of June.

be well.

this one too...

Barry Beach vs. John K. Melvin, May 22nd 2009, 7-10pm, Temescal Arts Center, 511 48th @ Telegraph, Oakland, CA http://temescalcontemporary.org/index.html

more on this one soon....

and another one


The Ever Gold Gallery: First Thursday of MAY!!
“Everything for Nothing or Something”

Artist Stephanie Dodes’ most recent production is an experimental short film, “Everything for Nothing”. This group exhibition features many of the artists that contributed to the film’s production and design, and is itself inspired by this same collaborative nature of the film making process.

Featuring the work of:

Stephanie Dodes, Elinor Diamond, Cathy Fairbanks, Kevin Laccone, Brittany McCall, John K. Melvin, Chris Ritson, Izumi Yokoyama

Please join us to celebrate our fourth exhibition at the Ever Gold at 441 O'Farrell Street (b/w Taylor and Jones) opening reception May 7th from 6-9pm.


Hope to see you there!

Upcoming Shows

Please join me if you are in the area:


Lobot Gallery

For Immediate Release:

Z-axis

Exhibition dates: May 9th 2009 – June 7th 2009
Opening Reception: Saturday, May 9th, 7-10pm
Lobot Gallery, 1800 Campbell Street, Oakland CA 94607
www.lobotgallery.com

Featuring works by: ERCH, Dan Grayber, Ryan Jones, Steven M. King, Whitney Lynn, Marhsall Marice, Jsun Mccarty, John K. Melvin, Niki Shapiro, Renetta Sitoy, Emma Spertus, SEO Won-Tae, Matt Volla, Patrick Wilson.

Curators: Eric Araujo, Ross Campbell

A two-dimensional Cartesian coordinate system is defined by 2 axes perpendicular to each other at right angles forming a plane known as the XY plane, X=horizontal, Y=vertical. The Z-axis is added to provide the third dimension of measurement.

Z-axis is a group exhibition of interdisciplinary artists who explore the realm of architecture and confront the various aspects of our built environment. By exploiting the intersections between art and architecture artists accommodate new beliefs and perceptions of how to direct and re-direct the purposes of space. They create new processes and rituals to live and work through momentary renderings of material reality, and invent the possible reality, that profoundly shapes the buildings, cities, and homes that help us define what is real and tangible.
The artists in Z-axis compose new architectural references by assimilating the host space to translate their formal, social, and political meanings into their own art-architectural language. What is expressed is hidden in the grandeur, depth, scale and volumetric integration of their installations, sculptures, films and two-dimensional demonstrations.
Dan Grayber’s playful look at building machinery uses scaled spring-loaded mechanical models that rely on existing architecture for support. Matt Volla analyzes human walks that reflect spatial conditioning via a participatory postcard, while Steven M King’s sound installation explores the logistical underbelly of urban planning that defines the process of city making. Z-axis aims to present diverse and dynamic works that reflect disparate aspects of our built environment; this is framed within the large art space of Lobot gallery.

Saturday, April 25, 2009

A recent piece



Had to take down today for another iteration at vernissage. More to come. Thanks for the memories Nick. Cheers.



JKM www.johnkmelvin.com

Saturday, April 11, 2009

Monday, April 06, 2009

Yippeee!!!

The world economy is tracking or doing worse than during the Great Depression | vox - Research-based policy analysis and commentary from leading economists. Read more here:

http://www.voxeu.org/index.php?q=node/3421


Sent via BlackBerry by AT&T

Friday, March 27, 2009

The Cloud

This subject has come up a few times in relation to my work and other collaborative projects, so I thought it would be good to document a bit of information on the Internet Cloud architecture being employed and developed these days.

from Wiki:

"Cloud computing is Internet ("cloud") based development and use of computer technology ("computing").[1][2][3] It is a style of computing in which dynamically scalable and often virtualised resources are provided as a service over the Internet.[4][5][6][7] Users need not have knowledge of, expertise in, or control over the technology infrastructure "in the cloud" that supports them...

Architecture

The majority of cloud computing infrastructure as of 2009 consists of reliable services delivered through data centers and built on servers with different levels of virtualization technologies. The services are accessible anywhere that has access to networking infrastructure. The Cloud appears as a single point of access for all the computing needs of consumers. Commercial offerings need to meet the quality of service requirements of customers and typically offer service level agreements.[15] Open standards are critical to the growth of cloud computing and open source software has provided the foundation for many cloud computing implementations.[16]

Characteristics

As customers generally do not own the infrastructure, they merely access or rent, they can avoid capital expenditure and consume resources as a service, paying instead for what they use. Many cloud-computing offerings have adopted the utility computing model, which is analogous to how traditional utilities like electricity are consumed, while others are billed on a subscription basis. Sharing "perishable and intangible" computing power among multiple tenants can improve utilization rates, as servers are not left idle, which can reduce costs significantly while increasing the speed of application development. A side effect of this approach is that "computer capacity rises dramatically" as customers do not have to engineer for peak loads.[17] Adoption has been enabled by "increased high-speed bandwidth" which makes it possible to receive the same response times from centralized infrastructure at other sites..."


a report sponsored by big daddy Microsoft authored by David Chappel & Assoc


and a very good pedestrian approach to defining the Cloud here at the Alex Barnett blog

all this makes me think of the cloud projects of mine with balloons...funny.

NYT: Students Give Up Wheels for Feet

http://mobile.nytimes.com/article?a=350042&f=19

This story is pretty cool and sweet, promises for a future. Simple solutions lead to radical change.

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Friday, March 20, 2009

new material


pink attic raft vent styrofoam tower. no strings, just stacks.

Monday, March 16, 2009

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Third street t-bone
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Thursday, March 12, 2009

FLEX v6


DSC03311, originally uploaded by John K Melvin.

silver intervention. check out the flickr photostream for more.

Wednesday, February 25, 2009

marketing at its best and brightest

I don't want to give it away but you must seriously check this out.

http://producten.hema.nl/

outloud

seriously

SF Mike on Dougherty

a local blog that has been covering the progress over the last few weeks with Patrick's project (now done). check it out here.

Tuesday, February 24, 2009

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Just one more
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Done. And done. A good crew, last day gave us nice weather. All in all a good thing.
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Monday, February 23, 2009

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Almost done.
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Wednesday, February 18, 2009

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a SFAC project by Patrick Dougherty at Civic Center facing City Hall, San Francisco. I along with a other artists have been working on the project. take a look here. Patricks project should be completed by tuesday or so. stop by and take a look.

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Stickwork.net
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Tuesday, February 17, 2009

Friday, February 13, 2009

recent work

a recent installation of mine, imagine a babbling brook for atmosphere.

Thursday, February 12, 2009

Wednesday, February 11, 2009

more research

Phoebe Washburn:


more here

and apparently Tara Donovan got the Genius Grant

artist research

Jason Rhoades:



more here

Monday, January 26, 2009

photo link for artworks


one of these days, i will get around to building more pages into the main website, for now, please bookmark my flickr page as I will be uploading more often to that than here.

Wednesday, January 07, 2009

updates


these are a few shots from a collaborative piece done in november, never got around to creating an album so this will have to do for now. hopefully I will find some time.

Tuesday, January 06, 2009

more on coal

January 7, 2009

Hundreds of Coal Ash Dumps Lack Regulation

The coal ash pond that ruptured and sent a billion gallons of toxic sludge across 300 acres of East Tennessee last month was only one of more than 1,300 similar dumps across the United States — most of them unregulated and unmonitored — that contain billions more gallons of fly ash and other byproducts of burning coal.

Like the one in Tennessee, most of these dumps, which reach up to 1,500 acres, contain heavy metals like arsenic, lead, mercury and selenium, which are considered by the Environmental Protection Agency to be a threat to water supplies and human health. Yet they are not subject to any federal regulation, which experts say could have prevented the spill, and there is little monitoring of their effects on the surrounding environment.

In fact, coal ash is used throughout the country for construction fill, mine reclamation and other “beneficial uses.” In 2007, according to a coal industry estimate, 50 tons of fly ash even went to agricultural uses, like improving soil’s ability to hold water, despite a 1999 E.P.A. warning about high levels of arsenic. The industry has promoted the reuse of coal combustion products because of the growing amount of them being produced each year — 131 million tons in 2007, up from less than 90 million tons in 1990.

The amount of coal ash has ballooned in part because of increased demand for electricity, but more because air pollution controls have improved. Contaminants and waste products that once spewed through the coal plants’ smokestacks are increasingly captured in the form of solid waste, held in huge piles in 46 states, near cities like Pittsburgh, St. Louis and Tampa, Fla., and on the shores of Lake Erie, Lake Michigan and the Mississippi River.

Numerous studies have shown that the ash can leach toxic substances that can cause cancer, birth defects and other health problems in humans, and can decimate fish, bird and frog populations in and around ash dumps, causing developmental problems like tadpoles born without teeth, or fish with severe spinal deformities.

“Your household garbage is managed much more consistently” than coal combustion waste, said Dr. Thomas A. Burke, an epidemiologist at the Johns Hopkins Bloomberg School of Public Health, who testified on the health effects of coal ash before a Congressional subcommittee last year. “It’s such a large volume of waste, and it’s so essential to the country’s energy supply; it’s basically been a loophole in the country’s waste management strategy.”

As the E.P.A. has studied whether to regulate coal ash waste, the cases of drinking wells and surface water contaminated by leaching from the dumps or the use of the ash has swelled. In 2007, an E.P.A. report identified 63 sites in 26 states where the water was contaminated by heavy metals from such dumps, including three other Tennessee Valley Authority dumps. Environmental advocacy groups have submitted at least 17 additional cases that they say should be added to that list.

Just last week, a judge approved a $54 million class-action settlement against Constellation Power Generation after it had dumped coal ash for more than a decade in a sand and gravel pit near Gambrills, Md., about 20 miles south of Baltimore, contaminating wells. And Town of Pines, Ind., a hamlet about 40 miles east of Chicago, was declared a Superfund site after wells there were found to be contaminated by ash dumped in a landfill and used to make roads starting in 1983.

Contamination can be swift. In Chesapeake, Va., high levels of lead, arsenic and other contaminants were found last year in the groundwater beneath a golf course sculptured with 1.5 million tons of fly ash, the same type of coal ash involved in the Tennessee spill. The golf course opened in 2007.

State requirements for the handling of coal ash vary widely. Some states, like Alabama, do not regulate it at all, except by means of federally required water discharge permits. In Texas, the vast majority of coal ash is not considered a solid waste, according to a review of state regulations by environmental groups. There are no groundwater monitoring or engineering requirements for utilities that dump the ash on site, as most utilities do, the analysis says.

The lack of uniform regulation stems from the E.P.A.’s inaction on the issue, which it has been studying for 28 years. In 2000, the agency came close to designating coal ash a hazardous waste, but backpedaled in the face of an industry campaign that argued that tighter controls would cost it $5 billion a year. (In 2007, the Department of Energy estimated that it would cost $11 billion a year.) At the time, the E.P.A. said it would issue national regulations governing the disposal of coal ash as a nonhazardous waste, but it has not done so.

“We’re still working on coming up with those standards,” said Matthew Hale, director of the office of solid waste at the E.P.A. “We don’t have a schedule at this point.”

Last year, the agency invited public comment on new data on coal combustion wastes, including a finding that the concentrations of arsenic to which people might be exposed through drinking water contaminated by fly ash could increase cancer risks several hundredfold.

If such regulations were issued, the agency could require that utilities dispose of dry ash in lined landfills, considered the most environmentally sound method of disposal, but also the most expensive. A 2006 federal report found that at least 45 percent of relatively new disposal sites did not use composite liners, the only kind that the E.P.A. says diminishes the leaching of cancer-causing metals to acceptable risk levels. The vast majority of older disposal sites are unlined.

Most coal ash is stored wet in ponds, like the one in Tennessee, almost always located on waterways because they need to take in and release water. But scientists say that the key to the safe disposal of coal ash is to keep it away from water, by putting dry ash into landfills with caps, linings and collection systems for contaminated water.

Environmentalists, scientists and other experts say that regulations could have prevented the Tennessee spill. Andrew Wittner, an economist who was working in the E.P.A.’s office of solid waste in 2000 when the issue of whether to designate coal ash as hazardous was being debated, said the agency came close to prohibiting ash ponds like the one at Kingston. “We were going to suggest that these materials not be wet-handled, and that existing surface impoundments should be drained,” Mr. Wittner said.

If storing coal ash were more expensive, environmental advocates say, utilities might be pushed to find more ways to recycle it safely. Experts say that some “beneficial uses” of coal ash can be just that, like substituting ash for cement in concrete, which binds the heavy metals and prevents them from leaching, or as a base for roads, where the ash is covered by an impermeable material. But using the ash as backfill or to level abandoned mines requires intensive study and monitoring, which environmentalists say is rarely done right.

The industry takes the position that states can regulate the disposal of coal ash on their own, and it has come up with a voluntary plan to close some gaps, like in the monitoring of older disposal sites.

“There probably isn’t a need for a comprehensive regulatory approach to coal ash in light of what the states have and our action plan,” said Jim Roewer, the executive director of the Utility Solid Wastes Activity Group.

Mr. Roewer said there was a trend toward dry ash disposal in lined landfills, though that trend was not identified in the 2006 federal report on disposal methods.

Environmentalists are skeptical of the industry’s voluntary self-policing plan and the states’ ability to tighten controls.

“The states have proven that they can’t regulate this waste adequately, and that’s seen in the damage that is occurring all over the United States,” said Lisa Evans, a former E.P.A. lawyer who now works on hazardous-waste issues for the environmental advocacy group Earthjustice. “If the states could regulate the industry appropriately, they would have done so by now.”

Utility companies are often aware of problems with their disposal system, Ms. Evans said, but they put off improvements because of the cost.

The Tennessee Valley Authority, which owns the Kingston Fossil Plant, where the Tennessee spill occurred, tried for decades to fix leaks at its ash pond. In 2003, it considered switching to dry disposal, but balked at the estimated cost of $25 million, according to a report in The Knoxville News Sentinel. That is less than the cost of cleaning up an ash spill in Pennsylvania in 2005 that was a 10th of the size of the one in Tennessee.



original here